Lubaina Himid is one of the speakers at Interdependence: We Need to Talk, organised as part of Manchester International Festival (MIF) during July. Lubaina, who has created the unique set for Interdependence, will give an illustrated talk on art, power,
Warp and Weft is a survey of works by 2017 Turner Prize nominee, Lubaina Himid. Opening 30th June at Firstsite, Colchester, the exhibition runs from 1st July-1st October 10am-5pm Warp and Weft is comprised of three bodies of work in
Lubaina Himid discusses work from her three 2017 exhibitions at Modern Art Oxford, Nottingham Contemporary and Spike Island, Bristol.
This exhibition run by the Flag Foundation from June 1 – August 11, 2017 on its 9th floor gallery, uses The New York Times as its point of departure and features over 80 artists, artist duos, and collectives who use
As Lubaina Himid prepares for a retrospective across three UK venues, she tells Apollo about how black British art has evolved over the past three decades. Read the interview of 17 January 2017 by Imelda Barnard here
Invisible Strategies brings together a wide range of Himid’s paintings from the 1980s to the present day, as well as sculptures, ceramics and works on paper. The exhibition opens with Himid’s monumental Freedom and Change, 1984, which appropriates and transforms
President with a torpedo in his crotch: how the works of Lubaina Himid speak to Trump times Born in Zanzibar and raised in Britain, Lubaina Himid makes work about everything from slavery to Thatcher to the cotton trade. Now in
Work by Lubaina is included in a new exhibition at the Bluecoat in Liverpool. Public View has been curated by Bluecoat Artistic Director Bryan Biggs. It brings together works by 100 artists who have previously exhibited there and features work from a number of
Navigation Charts draws together paintings and installations from the late 1990s to the present day to consider issues of labour, migration and creativity. It takes place alongside two other major UK presentations of Himid’s work: Invisible Strategies, a simultaneous solo exhibition at
The Place Is Here brings together around 100 works by over 30 artists and collectives spanning painting, sculpture, installation, photography, video and archival displays from the 1980s, exploring this pivotal decade for British culture and politics. The exhibition evokes urgent