Publications

Exhibition Catalogues

  • Beach House, Lubaina Himid,  Wrexham: Wrexham Library Arts Centre, 1995
  • Lotte or the transformation of the object. In Objects are in most of their more obvious manifestations
  • The Thin Black Line: An Exhibition at the ICA. London: Institute of Contemporary Arts, 1985. Hebden Bridge: Urban Fox Press, 1985
  • Thin Black Line(s). London: Making Histories Visible Project, Centre for Contemporary Art, 2011
  • Venetian Maps Preston: Harris Museum & Gallery, 1997
  • Lubaina Himid: Plan B. St. Ives: Tate Gallery St Ives, Himid, Lubaina and Jane Beckett 1999
  • The Currency of Art: A Collaboration Between the Baring Archive and the Graduate School of CCW. Himid, Lubaina and Stephen Farthing et al. London: CCW Graduate School, 2011
  • Venetian Maps. Himid, Lubaina and Maud Sulter. Preston: Harris Museum and Art Gallery, 1997
  • New Robes for MaShulan: Lubaina Himid: Work Past and Present.  Himid Lubaina and Maud Sulter, Rochdale, 1987
  • Treatise on the Sublime. Maud Sulter and Lubaina Himid, Stanislaus, Calif. : California State University, 1990
  • Zanzibar Himid, Lubaina. Llandudno: Mostyn Art Gallery, 1999
  • Fabrications Lubaina Himid
  • Vernet’s Studio Lubaina Himid Transmission Gallery
  • Memories of Childhood. New York: Steinbaum Krass Gallery
  • Double Life. Shaw, Jennifer. Lubaina Himid.  Bolton: Bolton Museum, Art Gallery and Aquariam, 2001
  • Revenge: A Masque in Five Tableaux. Sulter, Maud and Jill Morgan. Lubaina Himid.  Rochdale: Art Gallery, 1992
  • Naming the Money Whetstone, Lucy. Lubaina Himid. Newcastle Upon Tyne: University of Newcastle Upon Tyne, 2004
  • Winter exhibition : Lys Hansen, Lubaina Himid, Jayakumar, Jock McFadyen, Veronica Ryan, Andrew Walker.Blonde Fine Art London. 1986
  • Influences : the art of Sokari Douglas Camp, Keith Piper, Lubaina Himid, Simone Alexander, Joseph Olubo, Brenda Agard. London: South London Art Gallery, 1988

Secondary Materials

  • The Success and Failure of Black Art. Araeen, Rasheed.  Third Text 18.2 (67) (2004): 135-52
  • The Other Story: Asian, African and Caribbean Artists in Post-War Britain. London: Hayward Gallery, 1989
  • A Companion to British Art: 1600 to the Present. Arnold, Dana.  Chicester : Wiley, 2013
  • Artist’s Eye: Lubaina Himid. Arts Review. (March 2000): 50
  • Shades of Black: Assembling Black Art in 1980s Britain. Bailey, David A., Ian Baucom and Sonia Boyce, eds.  Durham: Duke University Press, 2005
  • We Face Forward: Art from West Africa Today. Balshaw, Maria et al.  Manchester: Whitworth Art Gallery, date. Himid, Lubaina, “We Are Us Not Other”. 29-33
  • Identities, Memories Desires: The Body in History. In Rosemary Betterton, An Intimate Artist: Women: artists and the body
  • Art and Emancipation in Jamaica: Isaac Belisario Mendes and His WorldsBarringer Tim, Gillian Forrester and Barbara Martinez-Ruiz eds.
  • Transforming the Crown: African, Asian and Caribbean Artists in Britain 1966-1996.Beauchamp-Byrd, Mary J.  New York : Franklin H. Williams Caribbean Cultural Centre : African Diaspora Institute, 1997
  • Hogarth’s Progress: Modern Moral Subjects in the Work of David Hockney, Lubaina Himid and Paula Rego. Beauchamp-Byrd, Mora J.  2011. PhD
  • Clues to Events In The point of theory Beckett, Jane and Deborah Cherry. ed. by Mieke Bal and Inge E. Boer. 48-55. 1994
  • Lubaina Himid’s Plan B: Close-up Magic and Tricky Allusions In Perry, Difference and Excess. Beckett, Jane.   156-177
  • Unframed: Practices and Politics of Women’s Contemporary Painting. Betterton, Rosemary. London: New York: I. B. Tauris, 2003
  • Along the Lines of Resistance: An Exhibition of Contemporary Feminist Art. Biswas, Sutapa et al. Rochdale: Printed by RAP Ltd, 1988
  • Into the Open: New Paintings, Prints and Sculpture by Contemporary Black Artists. Caesar, Pogus and Lubaina Himid. Sheffield: Sheffield Arts Department, 1984
  • Fabrications: New Art and Urban Memory in Manchester. Carne, Sarah. Mancheste: UMiM Publishing, 2002
  • Lubaina Himid : The Women Artist’s Lot. Cherry, Deborah. Mythen von Autorschaft und Weiblichkeit im 20. Jahrhundert / Hrsg.: Kathrin Hoffmann-Curtius, Silke Wenk. 58-59. 1997
  • Politics in a Glass Case: Feminism, Exhibition Cultures and Cultural Transgressions. Dimitrakaki, Angela and Lara Perry, eds.,  Liverpool: Liverpool University Press, 2013
  • Distance No Object. Great Britain] : The Bowes Museum, [2005]
  • Lubaina Himid Artist’s Statement Himid, Lubaina.  Florence, Penny. Differential Aesthetics: Art Practices, Philosophy and Feminist Understandings. Burlington: Ashgate, 2000. 38-39
  • Sexed Universals in Contemporary Art. New York: Allworth Press, 2004
  • Abolished? Lancashire Museums Marking 200 Years of the Abolition of the Slave Trade.Flowers, Sue and Lubaina Himid.  Lancaster: Lancashire Museums, 2007
  • Swallow Hard: The Lancaster Dinner Service. Lubaina Himid.  Lancaster : Judges’ Lodgings Museum, 2007
  • The Other Hogarth: Aesthetics of Difference.Fort, Bernadette and Angela Rosenthal, eds. Princeton, N.J.: Princeton University Press, 2001
  • Community Art collaboration. Hou Hanrou; Bart De Baere; Jochen Gerz; Saskia Bos; Sergio Risaliti,  2002
  • Picturing Blackness in British Art 1700s-1990s. Gilroy, Paul.  London : Tate Publishing, 1995
  • Cultural Threads: Transnational Textiles Today. Hemmings, Jessica.  New York : Bloomsbury Academic, 2015
  • Pushing Back the Boundaries. Himid, Lubaina. Claudette Johnson Hebden Bridge : Urban Fox, [1990]
  • Diasporic Unwrappings: Lubaina Himid in conversation with Jane Beckett. Himid Lubaina, In Women, the arts and globalization / ed. by Marsha Meskimmon and Dorothy Rowe. S. 190-222
  • Inside the Invisible: Painting Histories Himid, Lubaina.  Chapter 9. Pp184-92 in Unframed: Practices and Politics of Women’s Contemproary Painting. Ed Rosemary Betterton
  • Monument Talk  Himid, Lubaina. Atlantic Studies v9 n3 (201209): 273-277
  • Syrcas. Wrexham  Himid, Lubaina. Maud Sulter Wrexham Library Arts Centre, 1994
  • We Will Be Himid, Lubaina. In Rosemary Betterton, Looking on: Images of Femininity in the Visual Arts and Media. 259-66
  • Cotton Global Threads. Lubaina Himid.  2012
  • Drawing Maps: Geography and History in Contemporary Black British Art. Kerman, Monique. African and Black
  • Diaspora: An International Journal, v8 n1 (January 2015): 15-24
  • From Two Worlds Rachel Kirby; Nicholas Serota; Whitechapel Art Gallery, Whitechapel Art Gallery. Trustees,
  • Women, the Arts, and Globalization: Eccentric Experience. Meskimmon, Marsha. Manchester: Manchester University Press, 2013
  • Constructing Consciousness: Diasporic Remembrances and imaging Africa in late modernity. Jacinta K Mutesh,
  • Critical Arts : A Journal of South-North Cultural and Media Studies, v17 n1 & 2 (2003): p.36-51
  • State of the Art: Ideas and Images in the 1980s. Nairne, Sandy. London : Chatto & Windus in collaboration with Channel Four Television Co., 1987
  • New Horizons: An Exhibition of Arts. London : GLC/Royal Festival Hall, 1985
  • Cross/ing Time/ Space/ Movement  Olu Oguibe; Melissa Ho; Okwui Enwezor, Santa Monica, Calif. : Smart Art Press, c1998
  • Seen/Unseen. Olu Oguibe,  NKA : Journal of Contemporary African Art. No. 1, fall-winter 1994, pages 52-55
  • Corr Contemporary Art, Opening Exhibiton: Corr London : 1994
  • Telling Stories about Slavery. Paton, Diana.  History Workshop Journal, n59 (20050401): 251-262
  • Difference and Excess in Contemporary Art: The Visibility of Women’s Practice. Perry, Gill Oxford: Blackwell, 2004
  • Art and Feminism. Peggy Phelan; Helena Reckit,  London : Phaidon, 2012
  • Revenge: Lubaina Himid and the Making of New Narratives for New Histories Pollock, Griselda, 169-98. In
  • Differencing the Canon: Feminist Desire and the Writing of Art’s Histories. London: New York: Routledge, 1999
  • Beach House Himid, Lubaina. Pollock Griselda ed., Generations & Geographies in the Visual Arts: Feminist Readings. London Routledge, 1996. 149-55
  • Three Essays on Trauma and Shame: Feminist Perspectives on Visual Poetics. Asian Journal of Women’s Studies, v12 n4 (20061201): 7-31
  • Cross/ing: Time, Space, Movement. Prager, Roger R. African arts. 31 (2), spring 1988, pages 80-81
  • Creating Memorials, Building Identities: The Politics of Memory in the Black Atlantic. Rice, Alan J.  Liverpool: Liverpool University Press, 2010
  • Remembering Iconic, Forgotten, and Marginalised Preseces: Local, National and Transnational Memorial Sites in the
  • Black Atlantic. Current Writing: Text and Reception in Southern Africa; Vol 16, No 2 (2004) Remembering Iconic, Marginalised and Forgotten Presences: Local, National and Transnational Memorial Sites in the Black Atlantic. Taylor and Francis 2010-09-15
  • Revealing Histories, Dialogising Collections: Museums and Galleries in North West England Commemorating the Abolition of the Slave Trade. Slavery & Abolition, v30 n2 (June 2009): 291-309
  • Viewing Inside the Invisible: African Atlantic Visual Arts in the 1990s. Slavery & Abolition, v34 n2 (June 2013): 308-324
  • Exploring Inside the Invisible: An Interview with Lubaina Himid. Wasafiri, v18 n40 (Winter 2003): 20-26
  • Naming the Money and Unveiling the Crime: Contemporary British Artists and the Memorialization of Slavery and
  • Abolition. Patterns of Prejudice, v41 n3-4 (July-September 2007): 321-343
  • The Cotton that Connects: The Ties that Binds. Atlantic Studies, v4 n2 (October 2007): 285-303
  • The History of the Transatlantic Slave and Heritage from Below in action: Guerilla Memorialization In the Era of Bicentennial Commemoration. 209-35
  • Tracing Slavery and Abolition’s Routes and Viewing Inside the Invisible: The Monumental Landscape and the African Atlantic. Atlantic Studies, v8 n2 (June 2011): 253-274
  • Retrieving, Remapping and Rewriting Histories of British Art: Lubaina Himid’s Revenge. Rowe, Dorothy.
    Sulter, Maud. Columbus Drowning: Janie Quick-to-See Smith, Lubaina Himid, Magdalene Odundo, Robyn Kahukiwa, Veronica Ryan. Rochdate: Rochdale Art Gallery, 1992
  • Beyond the Boundary: the Work of Three Black Women Artists in Britain. Tawadros, Gilane Third text : Third World perspectives on contemporary art and culture. Nos. 8/9, autumn-winter 1989, pages 121-150
  • Lubaina Himid: Black Woman Artist”. Threuter, Christina. Projektionen / Annegret Friedrich, Birgit Haehnel. 230-242. 1997
  • Five Artists’ Valuations of the Visual Whitely, Nigel. Cultural Values, v3 n1 (January 1999): 73-99
  • Uncomfortable Truths: the Shadow of Slave Trading on Contemporary Art and Design. Whitley, ZoeAfrican arts. 41 (2) summer 2008, pages 92-93